Star Trek Episode 30: Amok Time

Technical Specs

Director: Joseph Pevney

Writer: Theodore Sturgeon

Cast: William Shatner, Leonard Nimoy, DeForest Kelley, Celia Lovsky, Arlene Martel, Lawrence Montaigne, Majel Barrett, George Takei, Nichelle Nichols, Walter Koenig, and Byron Morrow

Composer: Gerald Fried

Air Date: 9/15/1967

Stardate: 3372.7

Production #: 60334



In this iconic episode, Spock returns to his home planet to satisfy the Vulcan mating urge known as pon farr. Complications arise, however, when Spock’s betrothed, T’Pring star-trek-amok-time(Arlene Martel), invokes an ancient rite at the marriage ceremony. Torn between blood fever and loyalty to his captain, Spock must battle Kirk to the death lest he succumb to biological forces beyond his control.

By acquainting viewers with Vulcan culture in the most thrilling and visually stunning way imaginable, “Amok Time” earns its status as a true series classic. In addition to its captivating story, this episode should be admired by Star Trek fans for its themes of loyalty, friendship, and sacrifice.



In perhaps his strongest performance of all, Leonard Nimoy provided audiences with a harrowing glimpse into a side of Spock that often remained shrouded under a veneer of logic star-trek-amok-timeand self-control. Through his brilliant approach to a complex character, the late actor proved that for all his claims to the contrary, Spock undoubtedly suffered from many of the same emotional struggles that plague the human condition. In the scenes leading up to the brutal but iconic match between captain and first officer, Gerald Fried’s haunting score helps to accentuate the conflict of a man locked in perpetual combat with two antithetical natures. Also noteworthy are the humorous exchanges between Sulu and the newly introduced Ensign Chekov (Walter Koenig), which prevent the dark subject matter from becoming too somber at the most seemingly hopeless of times.






Along with its obvious message regarding the importance of maintaining a balance between logic and emotion, Theodore Sturgeon’s narrative presents a resonating star-trek-amok-timeexample of how true friendship can transcend professional and otherwise restrictive barriers. Notably, when Spock’s life and career are placed on the line, the captain of the Enterprise never hesitates to sacrifice his own needs for the benefit of his first officer. The undying camaraderie between Kirk and Spock as seen in this episode is important not only for the example it sets, but also for solidifying a friendship that continues to inspire Star Trek fans nearly fifty years after the series’ inception.


Concluding Comments

star-trek-amok-timeFor its striking contrast between antiquated cultural practices and futuristic science fiction, “Amok Time” should be viewed by those with even a passing interest in Vulcan society. Star Trek enthusiasts who prefer the original series over its many spin-offs will enjoy this episode for obvious reasons, while others are sure to appreciate the mystery surrounding Spock’s uncharacteristic behavior as demonstrated in the opening sequences.


Overall Quality: 10/10


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One thought on “Star Trek Episode 30: Amok Time

  1. Yes, a classic episode to kick off Season Two. STAR TREK episodes were aired way out of production order during all three seasons. I think the first episode actually filmed/produced for Season Two was “Catspaw,” but I am sure Jon will get to that Halloween-type episode that aired in October of 1967, I believe.

    This one, “Amok Time,” is one of my very favorites for sure, and one of the few I remember seeing as a youngster way back in the 1970s..

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